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Adam Nolly Getgood is a producer and mixer and the co-founder of GetGoodDrums. On this episode:
- What the pandemic changed for Nolly
- How much tone experimentation should be done during a recording session
- How Dan Weller from Sikth transitioned into becoming a great producer
- How Nolly divides his time between production and GetGoodDrums
- Mixing in Dolby Atmos - is it the future?
- Nolly’s incredible hunt to figure out exactly how to recreate Andy Sneap and Colin Richardson’s signature rhythm tones
- What defines quality if everything is pretty good?
- How would Queen’s Bohemian Rhapsody turn out if they produced it in Pro Tools?
- Why Nolly uses Kai monitors
- The groundbreaking game changing effect Sonarworks and Soothe had on audio production
- Why the term “practice makes perfect” is a lie
- Using ProQ3’s dynamic EQ bands on Devin Townsend and Periphery mixes
- The beauty of the right Mesa cab with the right Vintage 30s
Check out GetGoodDrums. Follow Nolly on Instagram. Sponsored by: DistroKid Want to level up your audio game? Sign up for URM. When you sign up, you'll get access to:
- Insanely detailed audio production tutorials
- One-on-one feedback
- Multi-track sessions from some of the biggest names in rock and metal
Be sure to follow URM on Instagram and Facebook. Follow Eyal Levi on Instagram. Like this show? Please leave us a 5-star review - even one sentence helps! Learn more about your ad choices. Visit megaphone.fm/adchoices |
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