|
Description:
|
|
I must have been 12 or so when I first saw the Pansy Division. The
band was opening for Green Day at a benefit show in Oakland, a return to
the Bay Area following the triumphant Dookie tour. I had no idea what
to make of the band at the time — and my dad, who’d kindly agreed to
chaperone, was, I believe amused. He may or may not have said, “don’t
tell your mother about this.” But that was always the Pansy
Division’s MO — in your face sexuality backed by songwriting that rarely
took itself seriously. The band no doubt blew the minds of young teens
all across the country as the opening act for the soon to be biggest
rock band in the world, and it appeared to have a hell of a time doing
it. This year marks the group’s quarter-century anniversary, a
milestone it celebrated with Quite Contrary, its first album in seven
years, which is both celebratory and reflective, featuring a cover shot
in the same room that graced the band’s seminal 1996 album Wish I'd
Taken Pictures, starring the same two cover models. Frontman Jon
Ginoli already did a thorough job reflecting on the band and its
influence in his wonderful 2009 memoir, Deflowered: My Life in Pansy
Division, but a twenty-fifth anniversary offers yet another opportunity
to recognize how far he, his band and the world around them have come in
the last few decades. We sat down at a cafe in Manhattan following a recent appearance in the city to discuss the band, its music and mission. |