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durée : 01:27:54 - Retour de plage - par : Thierry Jousse - _**Générique :**_
**Ennio Morricone avec la voix d’Edda dell’Orso**
« Une Voce allo Specchio »
Extrait de la BO de La Stagione dei Sensi in la compilation Mondo Morricone
COLOSSEUM 34.8057
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**New York Voices**
« Cotton Tail »
(Duke Ellington/Jon Hendricks)
Extrait de l’album Hearts of Fire, 1991
GRP RECORDS 96532
{% image 810f3382-3cc0-4ae1-bc6b-cfb8f8d85bf6 %}
**Singers Unlimited** (Bonnie Herman, Don Shelton, Gene Puerling, Len Dresslar)
« Girl Talk »
(Neal Hefti/Bobby Troup, arrhts Gene Puerling)
Extrait de l’anthologie The Complete A Cappella Sessions from album A Cappella II, 1975
MPS 06024 9855421
{% image afeb2750-54f6-4cc7-bf9d-008c2f3d3f14 %}
**Kenny Burrell guitare with Richard Wynands piano, Martin Riveras bass, Oliver Jackson batterie**
« Girl Talk »
(Neal Hefti)
Extrait de l’album The Tender Gender, 1966
CHESS 655022
{% image 286892a4-1e78-42e1-ad8a-9888b00551ab %}
**Grant Green electric guitar with Big John Patton orgue, Ben Dixon batterie**
« Work Song »
(Nat Adderley)
Extrait de l’album Iron City ! 1967
FIVEFOUR 5
{% image 3768a2b5-e9c5-425c-a345-f84dc6e335de %}
**Quincy Jones Big Band**
« Take Five »
(Paul Desmond)
Extrait de la compilation Strike up the Band from album Plays Hip Hits, 1963
MERCURY 830774\-2
{% image b5d206da-d523-4481-844d-bd03a3d01e20 %}
**Carmen Mc Rae and Dave Brubeck**
«Take Five »
(Paul Desmond/Oscar Brown Jr.)
Extrait de la compilation Hunk of Heaven from album Take Five (Recorded Live at Basin Street East, 1962)
JAZZ MAN
{% image 12b314af-3a9b-4614-9b48-c4887bed1319 %}
**Mark Murphy**
« Stolen Moments »
(Oliver Nelson/Mark Murphy, arrgts Mitch Farber)
Extrait de l’anthologie The Jazz Singer/Anthologie The Muse Years 1972\-1991 from album Stolen Moments, 1978)
PASSION MUSIC 50
**Mark Murphy with Michael Brecker, Randy Brecker, David Sanborn…**
« Cantaloupe Island »
(Herbie Hancock/Mark Murphy, arrgts : David Matthews)
Extrait de l’anthologie The Jazz Singer/Anthologie The Muse Years 1972\_1991 from album Sings, 1975)
PASSION MUSIC 50
{% image 181cecd6-370e-4474-b3f8-467ea0d21cd1 %}
**Gregory Porter voix with Louis Hayes batterie, Abraham Burton sax tenor, Josh Evans trompette, David Bryant piano, Steve Nelson vibraphone, Dezron Douglas bass**
« Song for my Father »
(Horace Silver)
Extrait de l’album Serenade for Horace, 2017
BLUE NOTE 602557617825
{% image 8e0ca1cb-20de-4183-961c-14d3a2a03747 %}
**Poncho Sanchez**
« Senor Blues »
(Horace Silver)
Extrait de l’album Papa Gato, 1987
CONCORD JAZZ 3410
{% image 9a20dff0-d380-408a-856d-d0d9b748a75c %}
**Horace Silver piano with Junior Cook, sax tenor, Blue Mitchell trompette, Gene Taylor, Louis Hayes batterie**
« Swingin’ the Samba »
(Horace Silver)
Extrait de la compilation Blue Bossa (Cool Cuts from the Tropics) from album Finger Poppin’, 1959
BLUE NOTE 60075368660
{% image 6ed0b652-4f34-427c-b652-3c3124462416 %}
**Andrew Hill piano with Booker Ervin sax tenor, Lee Morgan trompette, Ron Carter bass, Freddie Waits batterie**
« Mira »
(Andrew Hill)
Extrait de la compilation Blue Bossa (Cool Cuts from the Tropics) from album Grass Roots, 1968
BLUE NOTE 60075368660
{% image fc931657-73f5-4998-a8b5-a225f209f1c3 %}
**Ahmad Jamal piano with Nasser Jamil contrebasse, Frank Gant batterie**
« Wave »
(Antonio Carlos Jobim)
Extrait de l’album The Awakening 197O
IMPULSE 12262
{% image 58bc6287-9a63-45cc-801c-ab5c5de5108f %}
**Jack Wilson piano with Roy Ayers vibraphone, Al Mc Kinnon bass, Nick Martinis batterie**
« Corcovado »
(Antonio Carlos Jobim)
Extrait de l’album Jack Wilson Quartet Featuring Roy Ayers 1963
RHINO ATLANTIC
{% image 059bdfbe-5123-478e-9723-f6de2d07e9cf %}
**Karin Krog voix with Dexter Gordon sax tenor, Kenny Drew piano, Niels\-Henning Orsted Petersen bass, Espen Rud batterie**
« How Insensitive »
(Jobim/Gimbel)
Extrait de l’album Some Other Spring, 1970)
MEANTIME RECORDS
{% image 4eb39134-4500-44b7-8e36-0804ff42d4e7 %}
**Ella Fitzgerald/Joe Pass**
« One Note Samba »
(Jobim/Mendoça)
Extrait de l’album Fitzgerald and Pass… Again, 1976
PABLO RECORDS 00025215705226 - réalisé par : Patrick Lérisset |
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