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Description:
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With Zahr Said, we discuss what makes creative works similar and the role of the “reader” in constructing a work’s meaning. Christian derails with a James Bond commercial. But we get back on track and talk about paintings, poems, Star Wars, textualism, and the Big Sick.
This show’s links:
- Zahr Said’s faculty profile and writing
- Zahr Said, A Transactional Theory of the Reader in Copyright Law
- Joseph Miller, Hoisting Originality
- About Louise Rosenblatt
- Oral Argument 132: The Soul of Music (guest Joe Fishman)
- Joseph Fishman, Music as a Matter of Law
- Mark A. Lemley, Our Bizarre System for Proving Copyright Infringement
- Shyamkrishna Balganesh, The Normativity of Copying in Copyright Law
- Laura Heymann, Reading Together and Apart: Juries, Courts, and Substantial Similarity in Copyright Law
- Jacob Lawrence, The Studio
- Rebecca Tushnet, Worth a Thousand Words: The Images of Copyright Law
- Adrienne Rich, Turbulence
- The Big Sick
Special Guest: Zahr Said. |
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