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Description:
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The contemporary theorization of art inhabits a series of often interlocking positions concerning the virtues or vices of objects, relations, and immanence. The key term is immanence, which slides between a militant excess and the untranscendable horizon of capitalist value. Analysing the tensions of immanence - between theological transcendence and immersion, between relation and dissolution - requires an analysis of the attempt to disembed objects, relations, and immanence from the horizon of capitalist metrics. |