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In the second episode of our free podscast series “NYC Faith Leaders,”
Babalawo Antonio Mondesire reflects on his journey to the Ifá
priesthood, a life story weaving together culture, race, politics,
faith, all expressed and influenced by the power of music.
Baba Tony was born in the Bronx to parents of Puerto Rican and
Eastern Caribbean (Dominica) ancestry. He is an Ifá Priest, Spiritual
Counselor, Educator, and Percussionist. The spiritual title Babaláwo
(or Baba for short) literally means “father of esoteric studies,” and
the term “Ifá” may be translated as “encoded, esoteric, universal
knowledge, wisdom and understanding.”
The ancient tradition of Ifá is held in high esteem among the Yoruba
people of West Africa, and throughout the African diaspora. The
colonial slave trade brought the tradition of Ifá to Cuba and other
Caribbean nations, and more recent patterns of immigration have brought
it to the United States directly from Yoruba land and Nigeria. In Cuba,
the Yoruba practice of praying to God, Oludumare, was achieved through
relationships with the Orisha, or spirits – what Baba Tony calls God’s
deputies and emissaries to humanity.
Enslaved Africans found ways to camouflage Orisha with attributes of
Roman Catholic saints in order to comply by the laws of the state,
circumvent sanctions and avoid persecution for practicing any expression
of African religion. What began as a survival adaptation has since
evolved into a diaspora model for African inspired spirituality.
“Santeria” remains a common term for Yoruba religious expressions in the
United States and the Caribbean, however, the more accurate term is
Lukumi, or simply Yoruba.
Throughout our interview, Baba Tony describes how both the Ifá and
Lukumi spiritual traditions – as well as the inspiration of music – came
together in his search for identity, meaning, and theological
grounding. |