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Description:
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Full-length interview with Matt Colton from Alchemy Mastering, who mastered James Blake’s Dynamic Range Day Award-winning “The Colour of Anything”.
Topics include the processing chain Matt used (and why it possibly doesn’t matter as much as you think it might); the limiter he used (which you may already have) and his favourite default settings for it; the unique story of how he became a mastering engineer - and why vinyl really DOES sometimes sound better than CD
Links:
Matt Colton
https://en.wikipedia.org/wiki/Matt_Colton
Alchemy Mastering
http://www.alchemymastering.com
The Dynamic Range Day Award
http://dynamicrangeday.com/award/
James Blake and the dynamics of The Colour In Anything
http://productionadvice.co.uk/james-blake-dynamics/
Pop goes the loudness war
http://productionadvice.co.uk/pop-dynamics/ |
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