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Could New Zealand’s geographical distance be seen as a strength? Is the rumour more potent than the work? How would reframing conceptualist Julian Dashper as a video artist remap New Zealand’s art history? Ahead of the CIRCUIT symposium Phantom Topologies our curator-at-large George Clark talks with Mark Amery about This is not film-making. Artists work for cinema, a programme curated by George and commissioned by CIRCUIT. Plus he discusses symposium guests Merv Espina, Martha and Jake Atienza, and new models for artist run space in South East Asia.
Jake Atienza and Merv Espina's visit to New Zealand is supported by the Asia New Zealand Foundation. |
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