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Chapters 00:00 - Introduction 00:31 - Peter Vogel and the Fairlight CMI 01:51 - First Fairlight in the UK 03:25 - That Fairlight sound 05:32 - Stravinsky Firebird Suite, London Philharmonia 06:38 - The KPM albums 08:25 - Working with Delia Derbyshire 11:15 - Early technological limitations 13:20 - Sequential Circuits 14:56 - 12 bit sampling 16:27 - The Kaleidophon 18:40 - Interlude 19:05 - The Maniac sequencer 21:59 - Modern sampling 24:35 - Using Reaktor 25:50 - Sample libraries vs sound design 28:17 - Creating something unique 30:00 - Ending Photographs on our website. https://www.soundonsound.com/people/david-vorhaus-podcast David Vorhaus Biog An experimental electronic musician with a background in Physics and Electronic Engineering, David Vorhaus has been a pioneer of electronic music in Britain for over 30 years. In 1968 he formed the band White Noise with Delia Derbyshire and Brian Hodgson of the Radiophonic Workshop. Their debut release, An Electric Storm, has since garnered cult status and is recognised by Island Records as being an important album in its genre. One of his early samples on the Fairlight CMI was of an orchestral stab, taken from a recording of Stravinsky's Firebird by the Philharmonia Orchestra, that has since become the most used sample in music history. As a bassist with no interest in playing keyboards, David developed the Kaleidophon ribbon controller and the Maniac analogue sequencer, something he has since rebuilt in digital form using Reaktor. https://en.wikipedia.org/wiki/White_Noise_(band) Rob Puricelli Rob Puricelli is a Music Technologist and Instructional Designer who has a healthy obsession with classic synthesizers and their history. In conjunction with former Fairlight Studio Manager, Peter Wielk, he fixes and restores Fairlight CMI’s so that they can enjoy prolonged and productive lives with new owners. He also writes reviews and articles for his website, failedmuso.com, and other music-related publications, and has guested on a number of music technology podcasts and shows. He can often be found at various synthesizer shows demonstrating his own collection of vintage music technology. www.failedmuso.com |